- 展期: 2024/03/28/ (四) 04/18(四)
- 地點: 銘傳大學商設藝廊(設計大樓三樓)，桃園市龜山區德明路5號
商設藝廊2024/3/28至2024/4/18展出
【岸】馮承芝2024繪畫新作展
歡迎全校師生蒞臨設計大樓3樓商設藝廊欣賞。
▍展覽說明
岸，是水與陸的交界，視覺上它呈現各種線與形的可能性，或平直或曲折、或完整或破碎、或清晰或模糊。岸並非固定恆久的，隨著水的漲退起伏或陸塊的堆積侵蝕，它持續的進、退並演化出豐富的層次。岸在中文語境中不僅是一地理詞彙，也常象徵著出發地、初心、目的地、回歸甚或希望的多重意涵。回顧我自2016年以來的滴流畫系列創作，畫面裡的基本元素:水、天、地常常以一抹清楚或隱約的岸作爲關鍵圖象，藉以表現空間的遠近與透視。綜合梳理了我的構圖手法和造境傾向，今年初開始的這新作系列我將之命名爲「岸」，因為岸是這些畫作中的題材與要素，也是內在心境象徵的索引。
The term “shore” refers to the interface between water and land. Visually, it presents the possibility of various lines and shapes, which may be straight or zigzag, complete or broken, clear or blurred. The shore is not fixed and permanent. With the rise and fall of water or the accumulation and erosion of land masses, it continues to advance and retreat and evolve into rich layers. In the Chinese context, shore is not only a geographical word, but also often symbolizes multiple meanings of starting point, original intention, destination, return or even hope. Looking back on my Drip Painting series since 2016, the basic elements in the painting: water, sky, and earth, often use a clear or vague shore as the key image to express the distance and perspective of space. After comprehensively sorting out my composition techniques and environment-creating tendencies, I named this new series of paintings “Shore” that I started at the beginning of this year, because shore is the subject matter and element in these paintings, and it is also an index of the symbol of inner state of mind.